Our Man in Havana
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Introduction |
One of the more unusual novels in the closet. It is, at core, a happy story. |
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Sections |
The Circular Ruins
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Introduction |
As Our Man is, so is A Circular Ruins. Both of them are stories about writing. |
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Assignment |
Please read the story that is on pg. 539 in Of Time and Place and answer the odd questions. |
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Thought Question |
What is the best way to create anything, according to this story? |
Spying: Lecture
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Introduction |
Those of you who are familiar with spy fiction will find all of this repetitive. However, the spy stuff is necessaary to understand this novel. |
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Topics. |
My lecture will cover these fields. Cold War Why spy? Sleepers and Strings Spy organizations: KGB, MI6, CIA Cuba and Batista |
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Havana: Chapter 1, 1
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Introduction |
With this book, we will be using a different sort of homework. I will ask only one question per chapter. Answer it in one page. Please use the writing techniques. |
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Question |
Answer the following question in one page. How is Wormold not a man for the tropics? How is Hasselbacher a man for the tropics? |
Our Man in Havana: Chapter 1, 2
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Introduction |
Remember to write fully. |
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Question |
Answer the following question. What is a Duenna? How does her catholicism allow Milly lots of freedom? |
Our Man in Anchorage; Chapter 2
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Introduction |
Havana. the remarkable city. |
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Question |
Answer the following question. Why is the Englishman acting so bizarre? (Go Deep) |
Our Man in Haifa; Chapter 3 (1,2,3)
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Introduction |
Time for the spying game to begin. |
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Question |
Answer the following question fully. Why should we all be clowns? |
Chapter 4
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Introduction |
Hasselbacher senses somethign wrong. |
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Questions |
Answer the following question fully. How has Hasselbacher dreamed up the guy at the bar? |
Interlude in London
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Introduction |
The bosses in England do some creating. |
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Question |
Answer the following question fully. How does the Chief create Wormold? How did Hawthorne create him? |
Our Man in Cairo: Part 2, Chapter 1, 1
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Introduction |
Wormold gets into the spying game. |
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Question |
Answer the following question. How does the recruitment of Lopez fail? How does this fit into the theme of creation? |
Our Man in Budapest; Chapter 1; sections 2 & 3
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Introduction |
Well, it seems boring enough. |
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Question |
Answer the following question fully. What does Hasselbacher advise him to do? Why is that wise? |
Our Man in Dayton; Chapter 2: sections 1 & 2
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Introduction |
Wormold goes on a little trip. |
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Question |
Answer the following question fully. How does Wormold both create himself and his audience in his letter? |
Our Man in Paris; Chapter 2: Sections 3 & 4
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Introduction |
Lots of trouble from the police. |
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Question |
Answer the following question fully. From his description, what sort of man does Wormold become? |
Our Man in Machias; Chapter 3
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Introduction |
Hasselbacher gets messed up. |
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Question |
Answer the following question. Why does Wormold start these very eleaborate reports? What does that have to do with Hasselbacher? |
Interlude in London
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Introduction |
The reports start coming in. |
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Question |
Answer the following question fully. Hawthorne appears to have found Wormold out. Why doesnt he tell his chief? |
Part Three; Chapter 1
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Introduction |
Happy Birthday to Milly, Happy Birthday to Milly.... |
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Question |
Answer the following question fully. Why doesnt he hit Segura on the head with Champagne bottle? Why does Beatrice? |
Our Man in Nairobi; Chapter 2
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Introduction |
Let the big dancing begin |
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Question |
Answer the following question fully. How does Wormold plan on keepingthe secret from Beatrice? |
Our Man in Helsinki: Chapter 3
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Introduction |
Wormold starts to get the hang of it. |
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Question |
Answer the following question fully. How has all this spying business improved Wormold?
As the stories start to come true, what role does haselbacher start to have? |
Our Man in Ottawa; Part 4, Chapter 1
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Introduction |
Milly is back in the shop and the world spins out of control. |
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Questions |
Answer the following questions fully. Deadpan is a style that writers and performers adopt to make ridiculous situations seem more ridiculous. Who is being deadpan in this section and why? How is Teresa becoming a real spy? How can you explain the bizarre occurences without using fantasy? Why wont the professor believe him? Should he? Segura prefers to believe that Wormold is out tom-catting as opposed to spying. Why is that better for Wormold? |
Our Man in Springfield: Part 4, Chapter 2
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Introduction |
Womrold remains clueless... |
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Questions |
Answer two of the following questions fully. What has Hasselbacher been doing? Why has he been covered? |
Interlude in London
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Introduction |
London calling... |
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Question |
Answer the following question fully. |
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Why do they still believe in Wormold? |
Our Man in Buenos Aires: part 5, Chapter 1
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Introduction |
Segura shows us his warm and cuddly side |
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Question |
Answer the following question completely. When Segura talks of the torturable class, who is he referring to? What makes them torturable? |
Our Man in Jakarta; Chapter 2
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Introduction |
The wheel keep spinning for Wormold. |
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Question |
Answer the following question fully. How has Hawthornes confirmation of Wormold bad news? Why doesnt Hawthorned make more of the poisioning? Hasselbacher has said that they strike at what you love How does that motivate Wormold? |
Our Man in Stockholm; Chapter 3
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Introduction |
Time for lunch. |
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Question |
Answer the following question What are the truths in his speech? (Think beyond the obvious) |
The Characters
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Introduction |
Wormold is a sort of Author who crreates these characters and sends them on their way. |
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Exercise |
Look at the list of following characters. You know enough of them from the novel to play some hunches. In these hunches, you will be searching for a little black book. For each of these characters, pack a ten item suitcase. Be prepared to defend your choices. Pick four.
Milly Hasselbacher Hawthorne Teresa Beatrice Wormold |
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Time |
Now, think about the beginning of the book. Pick one item that the character may not have packed in the beginning. |
Tone: Part 4, Chapter 1, #4
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Introduction |
Tone is a strange thing. This exercise will help use boil it down. |
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Definition |
Tone in writing is the same as tone in speaking. Tone is the attitude that the writer has, as conveyed by his words. Now, tone can be found easily in most writing when it is read aloud, but it is hard to define. |
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Read |
Re-read this chapter, where Beatrice and Wormold are questioned by Segura. Pay careful attention to Segura. |
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Write |
Write a one page journal entry from Segura about this meeting. Make sure you show his feelings. |
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Words |
Word choice is a very telling trait. An author will choose one particular word over another more common one for a particular reason. What words in the chapter give you a strong idea of tone of Segura |
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Writing Tricks. |
What other writing tricks are used here? |
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Overall effect |
Greene is going for a complicated effect in this chapter. Segura needs to sound menacing, with a friendly, gentle veneer Wormold needs to sound in control, but nervous, as if he is acting. he also needs to sound slow. Beatrice needs to sound professional, but enamored of Wormold. |
Our Man in Tokyo: Chapter Four
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Introduction |
Ah, Segura. The witty one returns. |
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Question |
Answer the following question. Look at some of the words Segura uses: liable to be closed, trouble, amply proved and persuade What is the effect of these gentle words on Wormold? Why, do you suppose, Wormold is oblivious to Beatrice and Milly? Why doesnt Beatrice act more angry? |
Our Man in Istanbul: Chapter 5
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Introduction |
The truth is out and one more game of checkers for the rest of it. |
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Questions |
Answer the following question. Wormold finally manipulates someone: Segura. How does he do this? In the same vein, how does he manipulate Carter? |
Our Man in Columbia; Chapter 5
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Introduction |
Wormold gets to win, one more time |
Questions
Our Man in Kaifu: Epilogue
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Introduction |
In which the lose ends are tied neat as you please. |
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Questions |
Answer the following questions fully. Hamlet shadows This novel. The song contains a snatch from the play, as does the prefer to stand line. What connection does Wormold have with Hamlet? Comment on Beatrices line I cant believe in anything bigger than a home or vaguer than a human being. |
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Thought |
Explain the last line of the novel. |
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